Today we want to talk about Aragoto, a topic that has sparked interest and debate in recent times. Aragoto is an issue that affects people of all ages and backgrounds, and its relevance has been increasing in recent years. In this article, we will explore different aspects of Aragoto, from its causes and consequences to possible solutions and approaches to address it. Aragoto is an issue that concerns us all, and it is important to understand it and consider its implications in our current society. Join us on this tour of Aragoto and discover more about this exciting topic.
Style of acting in kabuki theatre
Aragoto (荒事), or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic kata (forms or movements) and speech. Aragoto roles are characterised by the bold red or blue makeup (kumadori) worn by actors, as well as their enlarged and padded costumes. The term "aragoto" is an abbreviation of the term "aramushagoto", which literally means "wild-warrior style".
The aragoto style was created and pioneered by Ichikawa Danjūrō I, a kabuki actor in the Edo period (1603-1867), and has come to be epitomized by his successors in the Ichikawa Danjūrō line of kabuki actors. Roles such as the leads in Sukeroku and Shibaraku are particularly representative of the style. Aragoto is often contrasted with the wagoto ("soft" or "gentle") style, which emerged around the same time but focuses on more naturalistic drama. It is also contrasted with onnagata or "female-like style".